the longest road out

Showing posts tagged media

A non-exhaustive list of female journalists who serve as better role models than fictional characters

Like the rest of the Internet, I grew enraged today after reading the Huffington Post College Blog piece “A struggle of not struggling.”

Okay, I’m lying to you. I didn’t read it.

Sure, I skimmed it well enough to understand that, as a freelance journalist lucky enough to be making a stable income off a series of 10-(sometimes as much as 20!)-cent-a-word pieces for a variety of outlets, fewer than two months out of college, my urban apartment must be some sort of magical blanket fort furnished entirely with bricks of Ramen noodles, to which I occasionally return after some madcap escapade for a relaxing night of pirated HBO programming.

But the blogger, in what I imagine was an attempt at levity, managed to lose me with her very first sentence:


“Like most female journalists, I assume, I only grew up with two real inspirations in my life: Carrie Bradshaw and Harriet the Spy.”


That makes me want to cry.

I did not grow up idolizing either a sex columnist too divorced from reality to know how to use her oven, or a prying child who relates to others only as objects for her entertainment. I did not idolize these people—these fictional characters—because they. Are. Not. Journalists. (Nor, I contend, would be a person who finds them inspirational.)

The women that I did and do idolize were and are muckrakers, groundbreakers and risk-takers. Here are a few of them:

  • Nelly Bly
  • Joan Didion
  • Carlotta Gall
  • Ida Tarbell
  • Helen Thomas
  • Susan Orlean
  • Anna Quindlen
  • Christiane Amanpour
  • Christine Brennan
  • Nackey Loeb
  • Katharine Graham

This list, as I said, is non-exhaustive. It’s mostly historical and disregards a lot of women working today of whom I am simply not aware. With the exception of two additions by a friend (who, by the way, is a female journalist and recent graduate already embarking on an impressive career), these were simply the first names that popped into my mind, with no research or even Googling. For every name that is there, there are several other remarkable female journalists who do inspire me, but whose names were not at my fingertips.

Also left off the list are the myriad brilliant women I know personally and have been fortunate enough to work alongside at alt-weeklies, at suburban dailies, at culture magazines, at public radio stations, in the pressroom at the Massachusetts Statehouse, in classrooms and at student publications.

They are other freelancers, they are staff writers, they are investigative reporters, they are critics, they are editors, they are photographers, they are bloggers. They follow their passion, they expose injustice, they inform the public, they entertain, they fight the system, they make me think.

These are women who do not need pop culture icons to legitimize their career choice, their ways of life.

They—and their male counterparts—did not enter this field because it looked glamorous. If I can be presumptuous enough for a quick second to lump them into a giant group and try to speak for them, I believe many of them are journalists for the same reason I am: because when they see a problem—in their lives, in society—they want to uncover its roots, not to self-indulgently theorize about them in a public venue. They don’t accept boredom and complacency; they chase what they want—be it the truth, be it an adventure—and they share it. They may not be able to fix what’s broken, but they can bring light to it, and that lets the healing begin.

Cain, founder of Godfather’s Pizza, came down strongly in preference of deep-dish over thin crust.

From WMUR’s coverage of the Republican presidential debate in New Hampshire last night. [[Finally, the media asks the kind of hard-hitting questions to which the public wants—no, needs—answers.]]

To add my voice to the many sounding off:

I saw Nir Rosen speak at the Boston Book Festival this past October, with Thanassis Cambanis and Haleh Esfandiari as part of a panel on the Middle East.  I do remember finding him insightful, but also wondering if he thought through his statements fully before speaking.

To be clear, I didn’t think then that Rosen deliberately tried to be provocative or inflammatory, just that he was sharing his views unfiltered, without particularly caring what the reaction would be.

Covering the panel for one of my journalism classes, I appreciated his candor, because it lead to compelling quotes:

If you took New York City, and you got rid of the electricity and the government bureaucracy and the police in a few days, and there was just this vacuum, I think in a few weeks, you’d find Jewish militias fighting Puerto Rican militias, or militias from the Upper East Side fighting militias from East Harlem.

But there is a line between compelling and disgustingly, horrendously, offensively inappropriate.

And you cross that line the very second you suggest that any form of sexual assault is no big deal, that it may have even been warranted, that a woman who expects dignity is just trying to outdo her male counterparts.

While most of my thoughts go out to Lara Logan, the rest dwell on the disturbing reality that members of the media can’t even show each other basic human respect.

And we expect the public to trust us.

Why Public Media Matters

My best friend wrote this.

Besides being awesome solely for that reason, it’s also absolutely true.

But to risk losing public broadcasting’s relevant and educational voice in a sea of often otherwise mind-numbing “mainstream” stations is something we cannot afford at all (While The Bachelor does teach you how to embarrass yourself on national television, it doesn’t provide the never-ending parade of Civil War documentaries that PBS does…). To step aside and let these cuts go through without a fight—subsequently telling politicians that public broadcasting and similar programs don’t matter to us—is to risk not only losing PBS and NPR for good, but to put other public arts and education funding at risk.

Christiane Amanpour doesn’t have Anderson Cooper’s eyes.

So that makes her totally less worthwhile as a human being, right?

I’m pretty sure TMZ thinks so, based on the offensively disrespectful “news update” they titled “Christiane Amanpour — I Was Attacked in Egypt, Too!!

It’s perfectly legitimate journalism (though, for the record, I do not actually expect “journalism” to occur at TMZ) to make one of the most respected and accomplished international correspondents of our time come across like your whiny little sister who doesn’t understand why her Crayola scribble isn’t hanging on the fridge next to your Yale acceptance letter.

The contempt radiates off the first sentence:

“Not to be outdone by Anderson Cooper, ABC News reporter Christiane Amanpour just filed a report claiming she too was attacked by an angry mob in Egypt.”

Silly Christiane.  Isn’t it cute how she thinks she matters?  Look how she got harassed, too!  Just like the real reporters!

That’s nice. Now let’s go see if Anderson’s posted anything to TwitPic!

Also, it’s an awfully funny coincidence that Time Warner owns both TMZ and CNN—the network that brings us the demigod Anderson Cooper.

I’m currently watching the second hour of Anderson Cooper 360, live from a shadowy basement in Cairo, where it’s just after 6am and the danger hasn’t dwindled.

I pretty much lack words at the moment, but I want to acknowledge my amazement at a couple things.

One, that this didn’t become real to many people until Anderson Cooper got attacked earlier today.  As much as I admire him, a celebrity newscaster’s life is not worth more than those of the unknown journalists on the scene—nor should a reporter in danger spark more concern than an unwilling citizen stuck in a riot zone.

Two, the amazing role technology has played in this coverage.  The quality of the video from the correspondents’ Flip cams—more subtle to use in the midst of a riot—is incredible.  You can hear the sounds of glass shattering, and the colors are more vivid than most of the contents of my apartment.  Interviews are conducted via Skype in the middle of the night, allowing for the telling of compelling and elucidating personal stories without requiring dangerous transit of sources.  And of course, Twitter’s been involved from the very beginning it seems, and that’s impressive on its own.  Cooper read on-air a Tweet from the State Department, right as it was posted. 

This is immediate, this is real.

And I hope it’s enough to get people interested in—and informed about—what’s going on thousands of miles away.